[Foreword to The Sign of the Cross by Andreas Andreopoulos, Paraclete Press, 2007] At my Orthodox church every Sunday I see families arrive at church and go up to the iconostasis, to greet the icon of the Lord. The parents stand before his searching gaze and make the sign of the cross fluidly: the right thumb and first two fingers together to recall the Trinity, and the last two fingers together and pressed down to the palm, to recall Christ’s two natures and his descent to the earth. They touch forehead, abdomen, right shoulder, left shoulder, then sweep the right hand to the floor with a deep bow. After making two of these “metanias,” they kiss Christ’s hand, then make one more sign of the Cross and a last bow.
[Beliefnet, November 30, 2006]
The curiosity of the Christmas season has got to be “The Nativity Story,” a film which presents the story of the Virgin Mary, her betrothal to Joseph, and the birth of Jesus Christ with an utterly straight face. If you thought Hollywood was incapable of approaching Christians without a cattle prod, you’ll be shocked at how circumspect this movie is.
Reverend Father Gheorghe Calciu-Dumitreasa Fallen Asleep in the Lord
Alexandria VA – The Reverend Father Gheorghe Calciu-Dumitreasa, parish priest of Holy Cross Church in Alexandria, Virginia, fell asleep in the Lord on Tuesday afternoon, 21 November 2006 following a short but difficult illness.
[National Review Online, November 17, 2006]
Here’s a riddle: When do you leave a Christopher Guest movie feeling glum and discouraged?
When it’s not funny? No, “For Your Consideration” is by no means a dud. Fans of Guest’s recent films will find plenty of the same character-based absurdities here. It’s hilarious. Right up until the last fifteen minutes.
[First Things, November 7, 2006]
I was in Denver for about a hundred minutes this weekend. I hadn’t planned it, but when I arrived at the airport Friday morning to begin my journey to Calgary, I was surprised to see that’s where I would change planes. The story about Ted Haggard had hit the news the night before, and I had been for some reason really moved by it. I walked through the Denver airport praying the Jesus Prayer for him: “Lord Jesus Christ, have mercy on Ted.”
[National Review Online, October 23, 2006]
For the first few minutes of “The Prestige,” I wondered if the projectionist had loaded the trailer by mistake. After a brief, surreal opening shot (but file it away for later), we hear wise old stage-magician Cutter (Michael Caine) describing in voice-over the three “acts” of a magic trick.
[National Review Online, October 13, 2006]
When David Cathcart completed his screenplay about Truman Capote, he phoned Bingham Ray, the head of United Artists, and offered to send it over. Ray responded, “It’s on my desk.” This surprised Cathcart, since he thought the work hadn’t yet left his own desk. Ray insisted, “I’m looking at it right now. ‘Capote’ by Dan…”
[Dallas Morning News, October 1, 2006]
“I didn’t like the part in the restaurant,” Hannah, my 6-year-old granddaughter, said. We were leaving a screening of Sony’s new animated feature, “Open Season,” and I was trying to remember any scene in a restaurant. When she said it was “too messy,” I realized that she meant an early scene where the movie’s lead characters, a suburban bear and a one-antlered deer, run loose in a mini-mart.
[National Review, September 29, 2006]
Early in Michel Gondry’s new film, “The Science of Sleep,” lead character Stephane (Gael Garcia Bernal) is joyfully recounting a concert he attended with his beloved dad. He’s awed as Duke Ellington comes out on stage, resplendent in a white suit.
[National Review Online, September 22, 2006]
War movies are the Dinty Moore Beef Stew of cinema: meat, potatoes, coupla carrots, and no surprises. You got your dashing-but-human cowboy, the center of the story. You got your noble African-American. You got your clean-cut fellow who will at some point go, sweating and trembling, into shock. You got your plump, condescending child of privilege. And you got your enigmatic battle-hardened hero, who appears as if from the shadows, speaks lines that are somehow both cryptic and blunt, and then retreats. In this movie, he has a pet lion, which might push things over the top a bit.
