Frederica Mathewes-Green is a wide-ranging author who has published 11 books and 800 essays, in such diverse publications as the Washington Post, Christianity Today, Smithsonian, and the Wall Street Journal. She has been a regular commentator for National Public Radio (NPR), a columnist for the Religion News Service, Beliefnet.com, and Christianity Today, and a podcaster for Ancient Faith Radio. (She was also a consultant for Veggie Tales.) She has published 10 books, and has appeared as a speaker over 600 times, at places like Yale, Harvard, Princeton, Wellesley, Cornell, Calvin, Baylor, and Westmont, and received a Doctor of Letters (honorary) from King University. She has been interviewed over 700 times, on venues like PrimeTime Live, the 700 Club, NPR, PBS, Time, Newsweek, and the New York Times. She lives with her husband, the Rev. Gregory Mathewes-Green, in Johnson City, TN. Their three children are grown and married, and they have fifteen grandchildren.
“Earth,” the first release from the Disneynature films, lives up to its publicity; this film is 85 minutes of jaw-droppingly beautiful clouds, waterfalls, icebergs, and savannahs; of graceful animals, scary animals, funny animals, and excruciatingly cute baby animals. James Earl Jones delivers a narration that is mild and accessible to children. (A typical line: after a shot of a penguin sliding on his belly, Jones says, “You might not know this, but penguins are one of the few creatures born with a built-in toboggan.”) It reopens the tradition of Disney nature documentaries, as in the “True Life Adventures” films of 1948-1960, and a better family-friendly nature film can’t be found.
[National Review: April 10, 2009]Whoever’s in charge of truth-in-labeling in Washington needs to take a look at the phenomenon called “Hannah Montana”. That’s the name of a fictitious world-famous pop star, who conceals her secret identity in order to live a normal life as fictitious high-schooler Miley Stewart; this way, she has “The Best of Both Worlds” (as Hannah-Miley’s hit song has it). What needs re-classification is the omni-capable 16-year-old, Miley Cyrus, who portrays this double character. She’s frequently described as a singer, a pop star, or a rock star; you can call her an actress, too, since she’s spent the last three years starring in the Disney Channel show named for her character, and now carries her first narrative film (a concert film released last year was a blockbuster). Pop star, actress, ordinary high school student? Certify her for a whole new title: comedienne.
[National Review Online; January 22, 2009] Just two days after the inauguration, another crowd filled Washington streets, the pro-lifers who gather each year for the “March for Life.” This January 22 marks the 36th anniversary of Roe v Wade, and after so many years with little change or improvement, the…
[Ancient Faith Radio; January 7, 2009]
FMG: Well, I’m at home, of all things. Occasionally I am at home. It’s Sunday morning at Holy Cross Antiochian Orthodox Church in Linthicum, Maryland, just south of Baltimore. If you’ve ever been to Baltimore Washington International Airport, BWI, we’re just two miles from BWI. And it’s coffee hour, and I’m sitting in the basement in the parish hall, and I’m talking with somebody who’s travelled to be here with us. I’m not the one travelling this week. Deacon Tom Braun, from, is it St. Barnabas Church in San Demas?
Dn. Tom Braun: It’s St. Barnabas in Huntington Beach, California.
[The City; November 2008]
All the articles surrounding this one are hot off the keyboard, written in the days since the election. This one goes back a ways. When editor Ben Domenech asked me to contribute to this forum, I told him that I was utterly unqualified. I try not to follow politics.
That probably sounds unpatriotic, as well as irresponsible, for someone who is grateful to have been born an American citizen. But I find that the verbal sparring in print and on line, the “yelling shows” on TV, aren’t healthy for me.
[Again Magazine; December 2008]
The first thing we saw was a blinking sign warning us not to park on the interstate, and then a helicopter circling overhead. As we took the exit, signs assured us that all lanes led to parking, and every block or so a guy in security uniform was windmilling his arms, coaxing the herd of cars to creep forward. All the parking lots were full, their entrances blocked off by police cars. We followed the herd off the road to a vast field of gravel and hardened mud, and finally shut off the engine. Far in the distance we could see it, glowing like the Emerald City of Oz: Arundel Mills Mall.
[National Review; December 22, 2008]
There is so much to like about this film; it’s visually beguiling, it has some original characters, it’s free of crudity and pop-culture references, and it’s not screamy or exhausting. Why, then, did I find my interest evaporating within an hour of leaving the theater? I have a hunch—but let’s deal with the basics first.
Despereaux (voiced by Matthew Broderick) is a young mouse, smaller than his buddies, and sporting a pair of immense ears. “He heard more, saw more, and even smelled more,” says narrator Sigourney Weaver, than the other residents of Mouseworld (an appealing old-world town, where a mouse-sized Vermeer would feel right at home).
[Ancient Faith Radio; December 10, 2008]
FMG: Not too long ago, someone mailed me a copy of an article in a magazine called “US Catholic”. This is the November, 2008 issue. And it’s an interview with an author named Donna Freitas. She’s just written a book called “Sex and the Soul”. The subtitle is “Juggling sexuality, spirituality, romance, and religion on America’s college campuses”. In this interview, Freitas talks about the research that she did on college campuses- secular, Catholic, and Evangelical. She herself actually teaches at St. Michael’s College in Vermont, which I think is a Catholic college.
[National Review Online; December 5, 2008]
A movie based on a musician’s life follows a simple pattern: up, followed by down, rinse, repeat. Remember “Ray” (2004) or “Walk the Line” (2005), or the very pointed parody, “Walk Hard” (2007)? The stereotype is that great artists are born with a blessing and a curse: originality and creative daring come with impulsiveness and insatiability. The same traits that produce their art are the ones that will cause them to wreck their families and fall into addiction. (Somehow this pattern doesn’t apply to Johann Sebastian Bach.) Musical biopics lurch from heights to depths with scant room for character, or even plot, development.
[Christianity Today Movies; December 2, 2008]
‘Perhaps Just Out of Our Minds’
Christian filmmaker Buzz McLaughlin tries to find a niche between secular movies and preachy ones—only to find it’s an elusive market.
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In the independent film The Sensation of Sight, Oscar nominee David Strathairn plays an introspective English teacher who feels himself complicit in a tragedy, and then begins selling encyclopedias door-to-door to the locals. But his anxieties begin to consume him as various characters and dreamlike situations increase around him, ultimately pushing him toward an unexpected awakening.
It’s sort of a strange synopsis for a “Christian” movie—which it isn’t. The filmmakers behind Sight—which played 19 festivals worldwide, had a limited theatrical release earlier this summer, and is now available on DVD—are Christians, but they didn’t want to make a distinctively Christian movie.
